Painting of a person in a black turtleneck and patterned skirt seated on a chair with sketches in the background.

A textured painting of a person sitting on a chair, wearing a black turtleneck and a patterned skirt. The background includes visible sketches and notes.

Story

Exploring the Intersection of Painting and Drawing Joanna van Son's 'Turtleneck . 2025' is a compelling exploration of the interplay between painting and drawing. As a graduate of The Bartlett in architecture, van Son integrates drawing as a fundamental compositional element, challenging the traditional roles these mediums play. Her work reveals a practical vulnerability by leaving visible the preparatory sketches, which contrasts with the vulnerability typically associated with nude portraits. The paintings are characterized by fluid portraits, constructed through layers of thick impasto, effectively blurring the lines between model, muse, and artist.

Design Highlights

Intricate relationship between painting and drawing Visible preparatory sketches create a sense of vulnerability Thick impasto layers form fluid portraits Blurring of distinctions between model, muse, and artist

Key Facts

Key Aspect Detail
Architect Joanna van Son
Year 2025
Status Built
Location Not specified
Mediums Painting, Drawing

Technical Summary

Finishes

  • paint finish: Thick impasto paint layers creating a textured surface.

Materials

  • paint — Used for creating textured and layered portraits and abstract compositions.

Construction / Systems

  • Not specified

Products

  • Not specified

Palette / Lighting

  • Colors: earthy tones, dark and light colors
  • Lighting: introspective and artistic mood

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